Sculpture made of recycled materials, made by assembling various wires, various cables of different colors, springs, a scraper, screws, parts of a video recorder, and various pieces of metal.
Length: 34 cm
Width: 28 cm
Height: 22 cm
Of jaw and claws. He is the mordant of the instant, the obcession of the no, which is brandished to be, perhaps not. Not to be as empty as the ice and the instable of its heat. The fire of the shooting in space without moments. Escape time, taper the canvases of the slow tomorrow. Who does not come, who only cries to the glory of the volatile lovers. The spark and its shadow.
Here is "Demon", from the serie Metallicious.
This upcycling sculpture was realized through the assembly of iron wires, iron hangers, screws and rusty nails, clamp, washers, pieces of pen, tongue can, metal pieces of a printer, springs, small chains and different pieces of metal.
Length: 43 cm
Width: 20 cm
Height: 20 cm
He is the Demon, the one who crystallizes the desire, the forbidden, the temptation of the rictus that no longer hides. He crawls, from treasures conceded to the covetousness to prison of souls in veins.
The call of the skeleton and the bottom.
The articulation of thirst and the bottom.
The gesticulation of morals and the bottom.
Metal and bottom.
Here are the "Three Wise Abraded", from the Nightmare series. These three sculptures come from the assembly of iron hangers, various wires, nails, screws and other pieces of rusty metal.
Length: 23 cm
Width: 52 cm
Height: 28 cm
"Do not see Evil, do not hear Evil, do not say Evil"
They are the message that the dying technology has given birth. They are the monumental trace of the refusal. The silent clairvoyance of silence. The whistling of the blind and the deaf.
It was a tripartite totem, of absurdity and studded sleepers, a fossil launched to the ephemeral as a silent cry engraved on the surface of the retina.
"Don't see it"
"Don't tell it"
"Don't hear it"
Here is the Abomination, from the Nightmare serie. It required the assembly of various wires including 5 hangers, wire mesh, nails, screws and other pieces of rusty metal picked up in the street.
Length: 39 cm
Width: 28 cm
Height: 19 cm
It is called a monster. Frightful incompleteness. Yet it is only the vestige of a forgotten time. It is the ferrous skeleton that the wind raises as an instrument. The corroded home of immense sighs. He drags the ghost of his limbs like metal screams. The fortissimo of the blades of air against the steel (inspiration) which breaks (exhalation) in a piece of a day light (inspiration), which fragillise a little more the cord spark of a pianissimo (exhalation).
Here is Bicephale, from the Nightmare serie. It is the result of the assembly of 5 iron hangers, various wires, nails, screws and other pieces of rusty metal found here and there.
Length: 31 cm
Width: 21 cm
Height: 20 cm
It is the dichotomy, the growth towards and against everything, the excrescence propelled from soil contaminated with metals. It is the desire to be unique, and yet grows nodes as impersonal as incomplete. It is dichotomy, it is two, four, eight, and then nothing. It is the sterile split of a caricature of life. The aborted flower of a field of reefs.
Here is Anathema, from the Nightmare series also from the following materials: 4 iron hangers, various wires of various sizes, nails, screws and other pieces of rusty metal.
Length: 33 cm
Width: 19 cm
Height: 18 cm
It is the offering. The oxidized assemblage sacrificed in the name of perishable and disposable It is born from the reprobation of the debris, brandishing to the light that consumes like an accusing finger. If it seeks to rise, it will crumble into crimson dust like the luster of a call that is lost in the ears of deaf gods.
Here is Spine Syndrome, the first born of the serie "Nightmare". Like most of the other sculptures in this serie, it was made using recycled elements: 4 iron hangers, wire of various diameters, pieces of oxidized steel wire, nails and rusty screws.
Length: 22 cm
Width: 19 cm
Height: 17.5 cm
He was the precursor, the one whose skull came out from earth first. Loaded with the stigmata that make up his essence, he moves his head down. If each step is a trial, the inevitable precedes it. It is the absence of noise and the blind rust that devours the metal snakes that unfold before him. It prints oxidation the path of oblivion. It is the original thorn, the notch syndrome that shows the way.